9/29/2018 0 Comments Deep Cut Disorientation Rar![]() ![]() Next week release their latest album, Disorientation, via Club AC30 Records, and to celebrate lead songwriter/guitarist Mat Flint (formerly of Death In Vegas/Revolver) has put together a handy track-by-track guide together exclusively for The 405. Not only that, but we have a stream of the album for you to check out. What a combo! 1) Inner Star This song is about someone you know and love, who has lost all confidence in themselves – but who is basically amazing in your eyes, and in other people’s too. We had the chords knocking around for ages - I did a really rough demo of it back in 2006. But we couldn't really seem to finish it off. Then one evening, it all seemed to fall into place. We got the vocal melody, and Emma came up with the lyrics, and we took it into the studio and just jammed it out. Here you can download melon deep cut shared files that we have found in our database: Deep Cut [my thoughts light fires].zip from mediafire.com 89.33 MB, Deep cut disorientation 2011 from uploaded.to (126 MB), Blind melon deep cuts 2009 320kbps muzyka rar from uploaded.to (101 MB), Mv full hd t ara 0 46972 roly poly 2 2 melon stage cut 1080p mp3 from 4shared.com. The version on the album is pretty much the only time we have played it together as a band! The idea was to make it one of those slow, rolling numbers that Verve used to do early on. But when we started it, we kept adding stuff like high vocal harmonies, fucked up feedback and weird synths, that took it somewhere else. The middle section is really spacey, it's the first time our band has really played like that. In the end, we thought it was so epic that we had to start the album with it. 2) Dead Inside Your Heart I wanted to do something really bright and poppy, like Big Star, and I was going to do it with chiming Stratocasters like they used to do. But when we started playing it, I decided to put a 12 string Rickenbacker on it, which seemed to suit it more. For the guitar solo, I was trying to be Johnny Marr. It didn't end up sounding like him really, but I'm not afraid to try stuff like that as it makes you play differently to how you would normally. It's ended up being one of our poppiest tracks. Lyrically, it’s about the deterioration of a friendship – how you can gradually lose touch with someone over time, until you realise one day that this person couldn’t actually give a shit about your feelings at all. 3) Next Disaster We were really trying to get that Byrds feel, like 'So You Wanna Be A Rock n Roll Star', what with the brass section, and the guiro percussion. But then I did that high vocal melody - we were thinking about using a Theremin - and it went off somewhere else again, like Mercury Rev or something. It's got a really great breakdown, where we all drop out and come back in again. I love the drums and the bass playing. This one’s about that feeling you get when it just seems like one bad thing is happening to you after another. I think everyone has those spells in their lives where they think, “what else can happen to me now?” Really great lyrics from Emma on this one: 'my guardian angel's about to resign, he's given up the ghost and he's calling time.' I love that line. 4) Magazine This song is really about the power of your memory – how you can forget about something, but then your mind can remind you of it very quickly, when you see a photograph, or read something, you know? You can be taken back to a place, or a person, in an instant – just through some random incident, years later. We took a breakbeat from a DJ tool record I had, slowed it down so it was more stoned-sounding, and then just jammed the guitars on the top, building them up til we had something really hypnotic. We wanted it to sound pretty trippy, so there are backwards guitars on there, strange subliminal synths that you can’t really hear - but are definitely there, adding something. 5) Something’s Got To Give We really like the Brian Jonestown Massacre, and fancied having a go at doing something like they did on tracks like 'Servo'. You know, psych but with a groove, and a 12 string lead part. So we came up with this one. But when we started recording it, it sounded more like a Dandy Warhols song! And we just went with it, high harmonies in the chorus, brass section with another hook, made the intro sound really bright and poppy. And it kind of had to be the single, really. Lyrically, the song is about someone that’s burning the candle at both ends could be drink, could be drugs – doesn’t matter really. But they’ve reached that point where they either go downhill – or make a decision to change. 6) Decision Time We wanted to do something on a Neu/Harmonia tip, with that feeling of motion, or movement, that the best Kraut stuff has from that early 70s era. You know, where you lock into that repetitive riff, but it takes you somewhere else entirely.
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